In Love & Anarchy (1973), perhaps the greatest of Wertmüller’s films, Giannini plays Tunin, a young anarchist farmer who comes to Rome in the 1930s with a plan to assassinate Mussolini. His contacts set him up with Salomè (Melato), a radical prostitute whose work gives her access to plenty of high-level fascists. But he soon falls in love with another working girl, Tripolina (Lina Polito), who wants him to give up his scheme so they can be together. The screaming arguments in Wertmüller’s movies might be even more pleasurable than the sex scenes, and Love & Anarchy culminates in an epic fight between Salomè and Tripolina over whether to wake Tunin in time for him to take his shot at the dictator. It is, literally, a battle between sex and politics.